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ny160524203606 Curators Jennifer Thompson, left, and Laurel Garber with Mary Cassatt?s ?Woman in a Loge? (1879), at the Philadelphia Museum of Art on April 26, 2024. Cassatt depicted women caring for children, not posing for the male gaze. New exhibitions and books are reappraising her legacy 100 years later. (Aaron Richter/The New York Times/Fotoarena)
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ny160524203906 Curators Jennifer Thompson, left, and Laurel Garber with Mary Cassatt?s ?Mary Ellison Embroidering? (1877), at the Philadelphia Museum of Art on April 26, 2024. Cassatt depicted women caring for children, not posing for the male gaze. New exhibitions and books are reappraising her legacy 100 years later. (Aaron Richter/The New York Times/Fotoarena)
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alb10907072 Mary Cassatt, Breakfast in Bed, 1897 ,oil on canvas, Art museum and botanical gardens, San Marino.
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alb10907549 Mary Cassatt, Louise nursing her Child, 1898-1899, pastel on paper, Art museum Bahnhof Rolandsek, Remagen.
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alb3655282 Design for Early Style Drag with No Top. Artist: Brewster & Co. (American, New York). Dimensions: sheet: 6 1/16 x 8 15/16 in. (15.4 x 22.7 cm). Date: ca. 1860.Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866-1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee.Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d'Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World's Fair). In appreciation for this achievement the Carriage Builders' National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art.Merri Ferrell, 2016. Museum: Metropolitan Museum of Art, New York, USA.
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alb4159657 The Artist's Father Reading. Mary Cassatt; American, 1844-1926. Date: 1880-1885. Dimensions: 224 x 142 mm. Graphite, on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA. Author: Mary Cassatt.
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alb3633106 Design for Brougham, no. 3537. Dimensions: sheet: 6 7/8 x 9 1/4 in. (17.5 x 23.5 cm). Manufacturer: Manufactured by Brewster & Co. (American, New York). Date: 1879.Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866-1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee.Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d'Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World's Fair). In appreciation for this achievement the Carriage Builders' National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art.Merri Ferrell, 2016. Museum: Metropolitan Museum of Art, New York, USA.
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alb3628298 Design for Vis-à-vis, no. 883a. Dimensions: Sheet: 5 in. × 8 1/16 in. (12.7 × 20.5 cm). Manufacturer: Brewster & Co. (American, New York). Date: 1850-70.Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866-1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee.Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d'Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World's Fair). In appreciation for this achievement the Carriage Builders' National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art.Merri Ferrell, 2016. Museum: Metropolitan Museum of Art, New York, USA.
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alb3659418 In the Opera Box. Artist: Mary Cassatt (American, Pittsburgh, Pennsylvania 1844-1926 Le Mesnil-Théribus, Oise). Dimensions: sheet: 5 13/16 x 4 7/16 in. (14.8 x 11.3 cm). Date: ca. 1880. Museum: Metropolitan Museum of Art, New York, USA.
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alb3641381 Design for Brougham, no. 3192. Dimensions: sheet: 6 1/2 x 9 11/16 in. (16.5 x 24.6 cm). Manufacturer: Brewster & Co. (American, New York). Date: 1876.Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866-1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee.Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d'Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World's Fair). In appreciation for this achievement the Carriage Builders' National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art.Merri Ferrell, 2016. Museum: Metropolitan Museum of Art, New York, USA.
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alb3669404 Design for Brougham, no. 3146. Dimensions: sheet: 6 3/4 x 9 13/16 in. (17.1 x 24.9 cm). Manufacturer: Brewster & Co. (American, New York). Date: 1875.Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866-1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee.Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d'Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World's Fair). In appreciation for this achievement the Carriage Builders' National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art.Merri Ferrell, 2016. Museum: Metropolitan Museum of Art, New York, USA.
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akg813583 Cassatt, Mary 1844-1926. "The Banjo Lesson", c. 1893. Etching and aquatint, 40.4 x 26.2 cm. Inv. no. D.B. 156. Museum: Bibliothèque Nationale., Paris.
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akg6006941 Mary Cassatt (1844-1926). Woman and Child, United States, late 19th or early 20th century. Painting, oil on canvas. Inv. Nr. AC1996.164.1, Los Angeles, County Museum of Art.
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akg8448677 Mary Cassatt. In the Conservatory, ca 1901. Print, Drypoint. Inv. No. 1941.84, Cleveland, Museum of Art.
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akg8265645 Henry Wolf, Alsace 1852-died New York City 1916.Mother and Child, 1905.Graphic art, photomechanical wood engraving on paper.Inv. Nr. 1973.130.220Washington, Smithsonian American Art Museum.
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akg366026 Cassatt, Mary 1844-1926. "Portrait de Marie-Louise Durand-Ruel", 1911. Pastel on paper, 75 × 63cm. London, Sotheby's. Lot 22, 22/6/1993.
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akg5164040 Cassatt, Mary 1844-1926. Mother and Child, Drawing, ca. 1907-1910. Pastel on paper, 29.2 × 50.2 cm. Inv. Nr. 22.16.21. New York, Metropolitan Museum of Art.
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alb3683241 Woman in a Riding Habit (L'Amazone). Artist: Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz). Dimensions: 45 1/2 x 35 1/8 in. (115.6 x 89.2 cm). Date: 1856.This painting of a horsewoman (in French, amazone) was long thought to represent the poet and novelist Louise Colet, muse of writer Gustave Flaubert. However, the sitter has since been identified as Madame Clément Laurier. This work, made on the occasion of her marriage in 1856, forms a pair with Courbet's portrait of her husband (1855, Milwaukee Art Museum). The artist Mary Cassatt admired this picture as "the finest woman's portrait Courbet ever did.". Museum: Metropolitan Museum of Art, New York, USA.
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alb3620745 Madame de Brayer. Artist: Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz). Dimensions: 36 x 28 5/8 in. (91.4 x 72.7 cm). Date: 1858.Courbet made this portrait during an 1858 trip to Brussels intended to cultivate a Belgian market for his work. Shown that summer in Antwerp, the picture earned praise for its forthright portrayal of a woman who was not conventionally beautiful, but seemed "strong-willed... and full of spirit." The painting remained in the sitter's family until it was purchased in 1907, at the recommendation of Mary Cassatt, by Louisine and H.O. Havemeyer. Mrs. Havemeyer later recalled that Madame de Brayer was a Polish exile married to a Belgian. Museum: Metropolitan Museum of Art, New York, USA.
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alb3646316 Boating. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: 38 1/4 x 51 1/4 in. (97.2 x 130.2 cm). Date: 1874.Manet summered at Gennevilliers in 1874, often spending time with Monet and Renoir across the Seine at Argenteuil, where Boating was painted. Beyond adopting the lighter touch and palette of his younger Impressionist colleagues, Manet exploits the broad planes of color and strong diagonals of Japanese prints to give inimitable form to this scene of outdoor leisure. Rodolphe Leenhoff, the artist's brother-in-law, is thought to have posed for the sailor but the identity of the woman is uncertain.Shown in the Salon of 1879, Boating was deemed "the last word in painting" by Mary Cassatt, who recommended the acquisition to the New York collectors Louisine and H.O. Havemeyer. Museum: Metropolitan Museum of Art, New York, USA.
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akg366024 Cassatt, Mary 1844-1926. "Sara Regardant Vers La Droite", c. 1901. Pastel and charcoal on paper, 47 × 38.2cm. London, Sotheby's. Lot 10, 22/6/1993.
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akg1091240 Cassatt, Mary 1845-1926. "Sara in a Dark Bonnet with Right Hand on Arm of Chair" (Sara in einem dunklen Häubchen mit der rechten Hand auf der Armlehne), 1901. Öl auf Leinwand, 67 x 55 cm. Inv.Nr.WRM Dep. FC 697 Fondation Corboud,. Museum: Wallraf-Richartz-Museum., Cologne.
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akg1572281 Cassatt, Mary Stevenson 1844-1926. " Portrait of Katherine Kelso Cassatt (od. Buste de femme en Corsage blanc)" ( Porträt der Katherine Kelso Cassett (od. Frau in weißem Kleid), um 1905. (Mutter der Künstlerin, gest. 1895). Öl auf Leinwand, 60 x 44 cm. Inv.Nr.Cass01. Museum: The Kasser Art Found., MONTCLAIR.
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les40121912 Le bain-The bath, shows the pond behind the painter's house at Beaufresne, France. Canvas, 99 x 129 cm. Author: MARY CASSATT. Location: Musee du Petit Palais, Paris, France.
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alb9169572 Mother and child on green background or Maternity. Museum: Musée d'Orsay, Paris. Author: MARY CASSATT.
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akg7958089 Cassatt, Mary (Pittsburgh, 1844 - Le Mesnil-Théribus, 1926). Sara avec son chien, vers 1901. Dessin, Pastel. PPD3561, Paris, Petit Palais.
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alb4097669 Femme et enfant devant une tablette où sont posés un broc et une cuvette. Museum: Musée d'Orsay, Paris. Author: MARY CASSATT.
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alb3362947 Mathilde Holding Baby. Museum: PRIVATE COLLECTION. Author: MARY CASSATT.
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alb3358010 Mother and child. Museum: State A. Pushkin Museum of Fine Arts, Moscow. Author: MARY CASSATT.
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alb3370941 Le Bain (Two mothers and their children in a boat). Museum: Petit Palais, Musée des Beaux-Arts de la Ville de Paris. Author: MARY CASSATT.
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akg7906995 Mary Cassatt, 1844-1926. "The Bath", 1910. Painting, oil painting. PPP742, Paris, Petit Palais.
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alb9826833 Au Louvre: la peinture (Mary Cassatt). Museum: PRIVATE COLLECTION. Author: EDGAR DEGAS.
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alb4159417 After the Bath. Mary Cassatt (American, 1844-1926); printed by Leroy (French, active 1876-1900). Date: 1890-1891. Dimensions: 346 x 288 mm (image/plate); 433 x 301 mm (sheet). Color aquatint and drypoint from two plates on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.
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alb3711512 Little Girl in a Blue Armchair. Dated: 1878. Dimensions: overall: 89.5 x 129.8 cm (35 1/4 x 51 1/8 in.) framed: 114.3 x 154.3 x 5.7 cm (45 x 60 3/4 x 2 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Mary Cassatt.
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alb3670306 Design for Phaeton, no. 651a. Dimensions: sheet: 6 1/4 x 9 1/4 in. (15.9 x 23.5 cm). Manufacturer: Brewster & Co. (American, New York). Date: 1850-74.Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866-1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee.Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d'Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World's Fair). In appreciation for this achievement the Carriage Builders' National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art.Merri Ferrell, 2016. Museum: Metropolitan Museum of Art, New York, USA.
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alb3672350 Design for Curtain Coach, no. 564. Dimensions: 6 1/2 x 9 1/4 in. (16.5 x 23.5 cm). Manufacturer: Brewster & Co. (American, New York). Date: ca. 1870.Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866-1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee.Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d'Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World's Fair). In appreciation for this achievement the Carriage Builders' National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art.Merri Ferrell, 2016. Museum: Metropolitan Museum of Art, New York, USA.
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alb3733175 The Bath. Dated: 1890-1891. Dimensions: plate: 32.07 × 24.77 cm (12 5/8 × 9 3/4 in.). Medium: color drypoint, softground etching, and aquatint. Museum: National Gallery of Art, Washington DC. Author: Mary Cassatt.
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alb3697123 Mother and Child. Dated: c. 1905. Dimensions: overall: 92.1 x 73.7 cm (36 1/4 x 29 in.) framed: 114.3 x 95.2 cm (45 x 37 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Mary Cassatt.
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alb3903965 The Boating Party. Date/Period: 1893 - 1894. Painting. Oil on canvas. Height: 900 mm (35.43 in); Width: 1,173 mm (46.18 in). Author: Mary Cassatt.
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alb3903973 Woman with a Pearl Necklace in a Loge. Date/Period: 1879. Painting. Oil on canvas Oil on canvas. Height: 813.31 mm (32.02 in); Width: 597.41 mm (23.52 in). Author: MARY STEVENSON CASSATT.
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alb3725547 The Loge. Dated: c. 1878-1880. Dimensions: overall: 79.8 x 63.8 cm (31 7/16 x 25 1/8 in.) framed: 111.1 x 95.3 cm (43 3/4 x 37 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Mary Cassatt.
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alb2638091 Mary Cassatt, In the Omnibus, American, 1844-1926, c. 1891, soft-ground etching, drypoint, and aquatint in blue, brown, tan, light orange, green, yellow-green, red, and black.
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alb9532872 The Caress. Date: 1902. oil on canvas. Museum: Smithsonian American Art Museum.
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alb9532999 Sara in a Green Bonnet. oil on canvas. Date: ca. 1901. Museum: Smithsonian American Art Museum.
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alb9533713 Spanish Dancer Wearing a Lace Mantilla. Date: 1873. oil on canvas. Museum: Smithsonian American Art Museum.
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alb9530696 Woman in Raspberry Costume Holding a Dog. pastel on paper. Date: (c. 1901). Museum: HIRSHHORN MUSEUM AND SCULPTURE GARDEN.
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alb9530693 Baby Charles. Pastel on paper mounted on paper. Date: (1900). Museum: HIRSHHORN MUSEUM AND SCULPTURE GARDEN.
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alb9530706 Young Girl Reading (Jeune Fille Lisant). pastel on paper. Date: (c. 1894). Museum: HIRSHHORN MUSEUM AND SCULPTURE GARDEN.
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alb9368211 The Barefooted Child, Mary Cassatt, American, 1844-1926, Color print with drypoint and aquatint on cream, medium thick, moderately textured laid paper, ca. 1896-1897, Sheet: 13 1/8 x 16 15/16 in., 33.3 x 43 cm, 19th Century, American art, baby, barefoot, blond, brunette, child, Mary Cassatt, mother, mother and child, print, The Barefooted Child, woman, woman artist.
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alb9364364 Femme au Mirroir, The Bonnet, Mary Cassatt, American, 1844-1926, Drypoint on cream-colored laid paper, ca. 1891, Plate: 7 5/16 x 5 3/8 in., 18.6 x 13.6 cm, 1891, bonnet, hat, mirror, self-image, woman, woman artist.
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akg8702622 Mary Cassatt, 1844-1926. "The Stocking", ca 1891. Pastel, 78 × 57 cm. Lisbon, Museu Calouste Gulbenkian.
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akg8690561 Mary Stevenson Cassatt, American Impressionist painter, 1844-1926. Countess Morel d'Arleux and Her Son, c. 1906. Pastel on canvas, 83.8 x 67.0 cm. Tokyo, Fuji Art Museum.
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alb5065432 Portrait of a Woman, 1881-1883 By Mary Cassatt (d. 1926), Oil Painting, Women, Female.
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alb5062327 Portrait of a Woman, 1881-83 By: Mary Cassatt, Portrait, Art Movement, Impressionism.
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alb4881201 Mary Cassatt, American (active in France), 18441926, Woman with Baby, c. 1902, Pastel on gray paper, 28 3/8 x 20 7/8 in. (72.1 x 53 cm).
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alb5518464 Mary Cassatt (1844-1926). North American painter. The Stocking, ca. 1891. Oil on canvas (78 x 57 cm). Calouste Gulbenkian Museum. Lisbon. Portugal.
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akg7906611 Cassatt, Mary; 1844-1926. "La musique (musik party)" (Music (music party)), 1874. Painting, oil painting. PPP3737, Paris, Petit Palais.
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akg5821222 Mary Cassatt. 1844-1926. "Miss Mary Ellison embroidering", 1877. Oil on canvas, 74.3 × 59.7 cm. Inv 1986.108.1; Philadelphia, Museum of Art. Museum: Wien, Österr. Galerie im Belvedere.
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akg6513512 Mary Cassatt, 1844-1926. "Portrait of a Young Girl", 1875-1885. Pastel on paper. Inv. No. 1950.119, Chicago, Art Institute.
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akg5162377 Cassatt, Mary; 1844-1926. Mother and Child (The Oval Mirror). Painting, c. 1896-1899. Oil on canvas, 81.6 × 65.7 cm. Inv. No. 29.100.47. New York, Metropolitan Museum of Art.
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akg5162379 Cassatt, Mary 1844-1926. Mother and Child (Baby Getting Up from His Nap). Painting, c. 1896-1899. Oil on canvas, 92.7 × 73.7 cm. Inv. No. 09.27. New York, Metropolitan Museum of Art.
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akg208057 Cassatt, Mary 1845-1926. "Dans la loge" (In the box), 1879. Pastel. (Dimensions unknown). Philadelphia, Museum of Art. Museum: Philadelphia, Museum of Art.
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alb3109712 Madre y niño. Museum: METROPOLITAN MUSEUM OF ART NEW YORK USA. Author: MARY CASSATT.
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akg813601 Cassatt, Mary 1845-1926. "Woman Playing with a Child", 1896. Etching and aquatint, 39.7 x 48.9 cm. Inv. n. D.B. 162. Museum: Bibliothèque Nationale., Paris.
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akg813330 Cassatt, Mary 1845-1926. "Portrait of a Woman", 1881-1883. Oil on canvas, 99.1 x 72.4 cm. Inv. no. 1951P63. Museum: Birmingham Museum and Art Gallery, Birmingham.
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akg813367 Cassatt, Mary 1845-1926. "Portrait of an Italian Lady", c.1880. Oil on canvas, 79.4 x 56.4cm. Museum: T. Gilcrease Institute., TULSA.
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akg813414 Cassatt, Mary 1845-1926. "Sleepy Thomas Sucking His Thumb", 1893. Pastel drawing, 53.3 x 44.5 cm. Museum: Stiftung Sammlung E. G. Bührle., Zürich.
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akg813400 Cassatt, Mary 1845-1926. "Augusta Sewing before a Window" (Augusta, nähend am Fenster), um 1905/10. ÖL auf Leinwand, 80,6 x 60,3 cm. Sammlung James Stillman, Schenkung Dr. Ernest G. Stillman, 1922. Inv.Nr. 22.16.19. Museum: Metropolitan Museum of Art., NEW YORK.
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akg813552 Cassatt, Mary 1845-1926. "Young Women Picking Fruit" 1891-92. Oil on canvas, 130.8 x 90.2 cm. Patrons Art Fund. Inv. no. 22.8. Museum: Carnegie Museum of Art., Pittsburgh.
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akg813573 Cassatt, Mary 1845-1926. "The Visit", 1890-91. Etching and aquatint, 43.6 x 30.5 cm. Inv. no. D.B. 151-3. Museum: Bibliothèque Nationale., Paris.
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akg813385 Cassatt, Mary 1845-1926. "Two Sisters", 1896. Pastels on paper, 37.4 x 53.5 cm. Courtesy of David Nisinson Fine Art. Museum: Private Collection., Privatsammlung.
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akg813301 Cassatt, Mary 1845-1926. "A Visitor in Hat and Coat Holding a Maltese Dog", c. 1879. Oil on canvas, 35 x 27.5 cm. Diane B. Wilsey collection.
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akg813377 Cassatt, Mary 1845-1926. "Young Lady Reading", 1878. Oil on wood, 40,3 x 63,2 cm. Collection Diane B. Wilsey.
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akg813526 Cassatt, Mary 1845-1926. "Jenny and her sleepy child", 1891/92. Oil on canvas, 73,5 x 60,3 cm. Daniel J. Terra Collection. Inv.Nr. 1988.24. Museum: Terra Foundation for the Arts., Chicago.
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akg813547 Cassatt, Mary 1845-1926. "Little Girl in a Bonnet with a Dog" (Sara with large hat, looking to the right, holding her dog), c. 1901. Pastel, 70 x 55 cm. Diane B. Wilsey collection.
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orz176576 Women Reading - 19th century - 38x49 cm - oil on canvas. Author: MARY CASSATT. Location: GALERIA HIRSCHL & ADLER. NEW YORK.
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les40111918 A musical party, 1874 Canvas,96,4 x 66 cm. Author: MARY CASSATT. Location: Musee Carnavalet, Paris, France.
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alb4100399 Portrait of Huysmans (Portrait de Huysmans). Dimensions: 60.4 cm x 41.9 cm, 32.1 cm x 23.9 cm, 32.1 cm x 23.9 cm. Museum: Van Gogh Museum, Amsterdam. Author: Eugène Delâtre.
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alb3903971 Mary Cassatt Self-Portrait. Date/Period: Ca. 1880. Painting. Gouache and watercolor over graphite on paper. Height: 327 mm (12.87 in); Width: 246 mm (9.68 in).
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alb9478694 Mary Cassatt at the Louvre: The Paintings Gallery, 1879-1880, Edgar Degas, French, 1834 - 1917, 12 x 4 15/16 in. (30.48 x 12.54 cm) (plate)16 1/4 x 8 5/16 in. (41.28 x 21.11 cm) (sheet), Etching, soft-ground, aquatint, and drypoint, France, 19th century, In 1865 Edgar Degas joined a group of artists, writers, critics, and collectors who met at Madame Desoye's famous shop, La Porte Chinoise, at 220 rue de Rivoli to discuss and admire Japanese art. The group included Edmond and Jules de Goncourt, Émile Zola, Charles Baudelaire, Edouard Manet, James Tissot, James McNeill Whistler, and Felix Bracquemond. Degas knew many other important collectors of Japanese art, who opened their doors to him. He became a collector himself and at the time of his death his studio held more than 100 ukiyo-e prints. Stylistically, Degas was most impressed by the subtle use of line, unusual organization of space, and unfamiliar foreshortening he found in Japanese art. Mary Cassatt at the Louvre is perhaps his most Japanese-inspired print. The narrow format and up-tilted background plane, the cropped column on the left, the unusual off-center arrangement of the subjects, and the bird's-eye perspective combine to make this an extremely daring composition.
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alb9442993 Mother and Child, 1894, Mary Cassatt, American, 18441926, 11 13/16 × 9 1/2 in. (30 × 24.13 cm) (image)11 3/4 × 9 9/16 in. (29.85 × 24.29 cm) (plate)17 1/8 × 12 1/16 in. (43.5 × 30.64 cm) (sheet), Drypoint and aquatint printed in color, with monotype inking and touches of brushed on color, France, 19th century, The American expatriate Mary Cassatt played a central role in Pariss progressive art scene, beginning with her appearance in the Impressionist exhibition of 1879. Though she initially scorned printmaking, Cassatt grew to love its rigor and endless possibilities. In color printmaking, she developed a fusion between the abstract graphics of Japanese color prints and the atmospherics of Western art. Looking at Peasant Mother and Child, we hardly notice the complex process that required multi-stage development of three separate copper plates; instead, we marvel at the rich, freely-applied color of this tender scene.
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alb9422470 In a Garden, 1893, Eugène Delâtre, French, Paris 1864Paris 1938, 9 3/4 x 7 7/16 in. (24.77 x 18.89 cm) (plate)13 5/8 x 10 13/16 in. (34.61 x 27.46 cm) (sheet)14 1/2 x 11 1/2 in. (36.83 x 29.21 cm) (mount), Color etching and aquatint on simili-japon paper, France, 19th century, Eugène Delâtre (18541938) played a fundamental role in the establishment of color etching at the end of the nineteenth century in France. He was trained by his father Auguste Delâtre, the premier printer of the Etching Renaissance. While Eugène began working in the black and white tradition, he created his first color plate in 1891 and In a Garden (1893) was the first color print he exhibited at the Salon. Similar to the color aquatints of American Mary Cassatt, In a Garden incorporates numerous artistic devices learned from Japanese prints, such as the emphasis on outline and silhouette and the choice of a pale color scheme. 'In a Garden' was printed 'au repérage,' or with one plate for each color.
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alb9343897 Study of a Boy, Mary Cassatt, American, 1844-1926, Watercolor, Sheet: 9 7/16 x 12 5/8 in., 24 x 32 cm, boy, painting, sitting, woman artist.
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alb9358105 Head in Profile and Smaller Face, Mary Cassatt, American, 1844-1926, Drypoint on laid paper, ca. 1898, Sheet: 12 1/16 x 23 in., 30.6 x 58.4 cm.
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alb9353256 Mother Combing Her Child's Hair, Mary Cassatt, American, 1844-1926, Pastel on gray paper, ca. 1901, 25 1/4 x 31 5/8 in., 64.1 x 80.3 cm, 1901, caring, child, daughter, grooming, hair, mother, painting, reflection, sitting, woman artist.
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alb9330900 Young Girl with Bonnet, Mary Cassatt, American, 1844-1926, Lithograph in bistre on laid paper, ca. 1904, 58 x 19 in., 147.3 x 48.3 cm, 1904, bonnet, drawing, girl, innocent, portrait, woman artist.
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alb9334122 Letter to Mr. Avery, Mary Cassatt, American, 1844-1926, Pen and ink handwritten letter in manuscript on wove paper, ca. 1891-ca. 1906, Sheet: 6 7/8 x 4 7/16 in., 17.5 x 11.3 cm, 1891, handwritten, ink, letter, paper, pen, woman artist.
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alb9370148 Mary Cassatt at the Louvre: The Paintings Gallery, Mary Cassatt au Louvre: La Peinture, Edgar Degas, French, 1834-1917, Etching, drypoint, and aquatint on wove paper, France, 1879-1880, image: 11 7/8 × 4 15/16 in., 30.2 × 12.5 cm, etching, gaze, grace, Impressionism, Louvre, multople, museum, pose, print, umbrella.
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alb3636816 The Lamp. Artist: Mary Cassatt (American, Pittsburgh, Pennsylvania 1844-1926 Le Mesnil-Théribus, Oise). Dimensions: plate: 12 11/16 x 9 15/16 in. (32.2 x 25.3 cm)sheet: 17 3/16 x 11 5/8 in. (43.7 x 29.5 cm). Date: 1890-91. Museum: Metropolitan Museum of Art, New York, USA.
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alb3702179 The Banjo Lesson. Dated: c. 1893. Dimensions: plate: 29.85 × 23.81 cm (11 3/4 × 9 3/8 in.) sheet: 41.9 x 29.2 cm (16 1/2 x 11 1/2 in.). Medium: color drypoint and aquatint with monoprint. Museum: National Gallery of Art, Washington DC. Author: Mary Cassatt.
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alb3605480 Reflection. Artist: Mary Cassatt (American, Pittsburgh, Pennsylvania 1844-1926 Le Mesnil-Théribus, Oise). Dimensions: plate: 10 1/4 x 6 15/16 in. (26 x 17.6 cm)sheet: 17 1/8 x 12 in. (43.5 x 30.5 cm). Date: ca. 1890. Museum: Metropolitan Museum of Art, New York, USA.
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alb3658470 By the Pond. Artist: Mary Cassatt (American, Pittsburgh, Pennsylvania 1844-1926 Le Mesnil-Théribus, Oise). Dimensions: plate: 12 x 16 7/8 in. (30.5 x 42.9 cm). Date: ca. 1896. Museum: Metropolitan Museum of Art, New York, USA.
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alb3616997 Reflection. Artist: Mary Cassatt (American, Pittsburgh, Pennsylvania 1844-1926 Le Mesnil-Théribus, Oise). Dimensions: plate: 10 1/4 x 6 15/16 in. (26 x 17.6 cm)sheet: 12 1/4 x 9 15/16 in. (31.1 x 25.2 cm). Date: ca. 1890. Museum: Metropolitan Museum of Art, New York, USA.
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alb3714890 Reine and Margot Seated on a Sofa (No. 2). Dated: c. 1902. Dimensions: plate: 43.02 × 32.7 cm (16 15/16 × 12 7/8 in.). Medium: drypoint in black. Museum: National Gallery of Art, Washington DC. Author: Mary Cassatt.
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alb3707651 Woman Bathing. Dated: 1890-1891. Dimensions: plate: 36.5 x 26.6 cm (14 3/8 x 10 1/2 in.) sheet: 47.9 x 31.2 cm (18 7/8 x 12 5/16 in.). Medium: color drypoint and aquatint on laid paper. Museum: National Gallery of Art, Washington DC. Author: Mary Cassatt.
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alb3672172 The Fitting. Artist: Mary Cassatt (American, Pittsburgh, Pennsylvania 1844-1926 Le Mesnil-Théribus, Oise). Dimensions: plate: 14 13/16 x 10 1/8 in. (37.6 x 25.7 cm)sheet: 16 13/16 x 11 3/4 in. (42.7 x 29.8 cm). Date: 1890-91. Museum: Metropolitan Museum of Art, New York, USA.
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alb4159457 Afternoon Tea Party. Mary Cassatt (American, 1844-1926); printed with Leroy (French, active 1876-1900). Date: 1890-1891. Dimensions: 348 x 270 mm (image/plate); 432 x 301 mm (sheet). Color aquatint with drypoint from three plates, with brush and gold paint, on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.
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alb3683698 Design for Brougham, no. 4038. Artist: Herman Stahmer (American, 1857-1894). Dimensions: sheet: 6 3/8 x 8 3/4 in. (16.2 x 22.2 cm). Manufacturer: Brewster & Co. (American, New York). Date: 1889.Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866-1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee.Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d'Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World's Fair). In appreciation for this achievement the Carriage Builders' National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art.Merri Ferrell, 2016. Museum: Metropolitan Museum of Art, New York, USA.
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alb3680035 Design for Brougham, no. 3424a. Dimensions: sheet: 6 1/16 x 8 13/16 in. (15.4 x 22.4 cm). Manufacturer: Brewster & Co. (American, New York). Date: 1878.Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866-1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee.Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d'Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World's Fair). In appreciation for this achievement the Carriage Builders' National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art.Merri Ferrell, 2016. Museum: Metropolitan Museum of Art, New York, USA.
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alb3682432 Design for Wagon, no. 715. Dimensions: sheet: 6 1/2 x 9 5/8 in. (16.5 x 24.4 cm). Manufacturer: Brewster & Co. (American, New York). Date: ca. 1860.Brewster & Company HistoryEstablished in 1810 by James Brewster (1788-1866) in New Haven, Connecticut, Brewster & Company, specialized in the manufacture of fine carriages. The founder opened a New York showroom in 1827 at 53-54 Broad Street, and the company flourished under generations of family leadership. Expansion necessitated moves around lower Manhattan, with name changes reflecting shifts of management-James Brewster & Sons operated at 25 Canal Street, James Brewster Sons at 396 Broadway, and Brewster of Broome Street was based at 372 & 374 Broome Street with a repository (showroom) on 14th Street & Fifth Avenue. By 1874, Brewster & Company had 400 employees and combined warehouse and factory facilities at 47th & 48th Streets and Broadway. Brewster successfully branched out to produce their own automobiles, as well as supplying bodies for Rolls Royce at their Long Island City location. Notable clientele included Alfred Gwynne Vanderbilt, August Belmont, J.P. Morgan, John Jacob Astor, Andrew J. Cassatt (brother of artist Mary Cassatt), William Rockefeller, Henry Clay Frick and Pierre Lorillard. Talented draftsmen employed by the firm included Paul Steinbeck, Herman Stahmer and John Gribbon, the latter teaching at the Carriage Builders and Designers Technical School, which opened in 1880 and was housed initially at the Metropolitan Museum of Art. When the company finally dissolved in 1923, its last owner William Brewster (1866-1949) donated its archive of design and presentation drawings to the Museum where he served as benefactor and trustee.Of all American carriage manufacturers, none was as highly regarded for design, finish and quality as Brewster & Company. They won many awards for outstanding workmanship, including the Legion d'Honneur (Legion of Honor) at the 1878 Paris Exposition (3rd World's Fair). In appreciation for this achievement the Carriage Builders' National Association presented them with a gold enameled Tiffany & Company plaque and autograph book signed by leading American carriage builders, both now at the Metropolitan Museum of Art.Merri Ferrell, 2016. Museum: Metropolitan Museum of Art, New York, USA.
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